{"id":640,"date":"2022-09-02T09:18:48","date_gmt":"2022-09-02T07:18:48","guid":{"rendered":"http:\/\/xn--compagniebakal-5mb.com\/?page_id=640"},"modified":"2025-12-01T17:17:16","modified_gmt":"2025-12-01T16:17:16","slug":"baikal-au-musee","status":"publish","type":"page","link":"https:\/\/xn--compagniebakal-5mb.com\/?page_id=640","title":{"rendered":"Ba\u00efkal au mus\u00e9e"},"content":{"rendered":"
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Deux propositions distinctes et compatibles:<\/p>\n

\u00ab\u00a0Invitation au voyage\u00a0\u00bb et \u00ab\u00a0Solo in Situ\u00a0\u00bb\n
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Salle du mus\u00e9e Picasso, Antibes. Nicolas de Sta\u00ebl, Le Concert<\/em>, 1955. \u00a9 Adagp, Paris, 2022.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Invitation au voyage\n
Visite guid\u00e9e singuli\u00e8re – Tout public – 1 h \u00e0 1h30\n
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Les visiteurs sont invit\u00e9s \u00e0 rencontrer les oeuvres d’une exposition aux c\u00f4t\u00e9s de Marie Schruoffeneger, danseuse et chor\u00e9graphe.\n
Pas d’interpr\u00e9tation ou d’explications historiques, il s’agit simplement d’\u00eatre \u00e0 l’\u00e9coute de ce que la contemplation d’une oeuvre d’art peut susciter en terme d’imaginaire, de sensations, de transformations, de rapport \u00e0 l’espace.\n
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\u00ab\u00a0Quelle est la distance qui vous para\u00eet la plus juste entre l’oeuvre et vous?\n
A quel endroit votre regard a t il tendance \u00e0 s’attarder?\n
Quel cheminement suit il ensuite au sein de l’oeuvre? Le suit il avec plus de libert\u00e9 si vos pieds changent de position au sol?\u00a0\u00bb<\/p>\n <\/div>\n <\/div>\n

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Chaque question \u00e9mane de l’intervenante comme autant d’invitations \u00e0 se laisser toucher, apprivoiser ou juste intriguer par les oeuvres en pr\u00e9sence.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Cette proposition de visite guid\u00e9e singuli\u00e8re implique un temps de pr\u00e9paration au sein des espaces du mus\u00e9e: il s’agit pour Marie Schruoffeneger de se familiariser avec certaines oeuvres pour pouvoir ensuite proposer des ponts\n entre celles ci et les participant.es, qui ne n\u00e9cessitent pas de connaissances particuli\u00e8res en histoire de l’art, mais bien un \u00e9tat d’\u00e9coute, d’observation et de jeu.\n
Regarder et se laisser regarder: la rencontre avec l’oeuvre d’art comme une danse \u00e0 deux, qui implique du jeu, de l’\u00e9coute.\n
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\u00a0\u00bb Si cette sculpture pouvait \u00eatre sonore, quels sons en \u00e9maneraient d’apr\u00e8s vous?\n
Vous invite t elle \u00e0 rester immobile aupr\u00e8s d’elle, ou pr\u00e9f\u00e9rez vous tourner autour?\n
A quelle vitesse? ou avec quel degr\u00e9 de lenteur? (…)\u00a0\u00bb\n
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Cour du mus\u00e9e Picasso, Antibes.\n
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Terrasse du mus\u00e9e Picasso, Antibes. Bronze de Germaine Richier,
La Feuille<\/em>, 1948. \u00a9 Adagp, Paris, 2022.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Invitation au voyage lors de la Nuit des mus\u00e9es 2022\n
Terrasse du mus\u00e9e Picasso, Antibes. Bronze de Germaine Richier.\n
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Solo in Situ\n
Cr\u00e9ation sur mesure au diapason du mus\u00e9e\n
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Propos\u00e9 pour la premi\u00e8re fois lors de la Nuit des Mus\u00e9es 2022 au mus\u00e9e Picasso d’Antibes, ce solo r\u00e9sulte d’un temps d’apprivoisement mutuel entre la danseuse – chor\u00e9graphe, les espaces du mus\u00e9e et les oeuvres qui l’habitent.<\/p>\n

Au jour de la performance, la gestuelle de la danseuse, ses d\u00e9placements au sein des diff\u00e9rentes pi\u00e8ces du mus\u00e9e, sa relation avec les oeuvres, d\u00e9coulent de cette exp\u00e9rience.<\/p>\n

La disposition des oeuvres dans chaque pi\u00e8ce, ce qui \u00e9mane d’elles, les tensions invisibles qui les relient, tout cela rend les espaces du mus\u00e9e riches de dynamiques silencieuses avec lesquelles jouer.\n
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Le public est d\u00e8s lors invit\u00e9 \u00e0 \u00eatre t\u00e9moin d’une conversation dans\u00e9e avec les espaces du mus\u00e9e et les oeuvres qui s’y trouvent.\n
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Salle du mus\u00e9e Picasso, Antibes, Nuit des Mus\u00e9es 2022.\n
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Deux propositions distinctes et compatibles: \u00ab\u00a0Invitation au voyage\u00a0\u00bb et \u00ab\u00a0Solo in Situ\u00a0\u00bb Dossier diponible sur demande Salle du mus\u00e9e Picasso, Antibes. Nicolas de Sta\u00ebl, Le Concert, 1955. \u00a9 Adagp, Paris, 2022. Invitation au voyage Visite guid\u00e9e singuli\u00e8re – Tout public – 1 h \u00e0 1h30 Les visiteurs sont invit\u00e9s \u00e0 rencontrer les oeuvres d’une exposition […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-page.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=\/wp\/v2\/pages\/640"}],"collection":[{"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=640"}],"version-history":[{"count":7,"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=\/wp\/v2\/pages\/640\/revisions"}],"predecessor-version":[{"id":1439,"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=\/wp\/v2\/pages\/640\/revisions\/1439"}],"wp:attachment":[{"href":"https:\/\/xn--compagniebakal-5mb.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}